My setup isn’t anything out of this world and, as you’ll notice, I have a very DIY approach to my craft. I believe in purchasing only the gear you truly need to get the job done. Therefore, the following list isn’t every single piece of equipment that you’ll require for success. It’s simply the equipment that I typically carry with me and can honestly recommend to you.
Read MoreThis is seriously the coolest, I never dreamt that I'd be included in such a prestigious publication but also to be listed as GUP's New Dutch Photography talent. Okay, I'm not Dutch but my affiliation with the country now has grown over time and able to be more involved in projects like this.
Read MoreConstruct is a series of detailed, aerial landscape photographs captured above the industrial environments that circle the suburbs of Melbourne, Australia.
This series operates like an elevated screen shot of the repetition, pattern, form, structure and detailed organisation and automisation of these different industrial landscapes.
Read MoreÀ travers sa série Construct, le photographe australien Tim Allen illustre une facette encore inconnue des chantiers de construction, de la symphonie des camions au rangement minutieux des tubes de métal. Par son travail, il parvient à déceler une certaine poésie inattendue dans un environnement que l’on imaginait pour le moins… brut.
by Mehdi Karam
Read MoreTim Allen (b.1989, Australië) neemt deze week onze Instagram over! Met zijn passie voor de "New Topographics" brengt Allen zijn omzwervingen door natuurlijke en urbane landschappen in beeld. Zijn documentatie van die omgevingen toont een etherisch perspectief die de wereld en zijn dwangmatige esthetiek via een sterke narrativiteit communiceert naar een progressief publiek.
Read MoreA site just off the Western Ring Road, Melbourne, Australia. Image by Tim Allen
For photographer Tim Allen, the view from 1500 feet up was as beautiful as it was alarming.
From his bird’s-eye view, four-metre logs morphed into rusty nails while trucks looked small enough to fit into a child’s hand.
Allen had been commissioned to photograph commercial properties up for sale in Melbourne’s west from a helicopter last year when he decided to capture some of the arresting scenery he was routinely flying over.
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